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Foam of the Sea par Sean Hanlon

Foam of the Sea, en plein écran

Foam of the Sea par Sean Hanlon

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Foam of the Sea

Par Sean Hanlon

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  • 2304x1440
  • 2048x1280
  • 1920x1200
  • 1680x1050
  • 1440x900
  • 1280x800
  • 1152x720
  • 2560x1440
  • 1920x1080 - 1080p HDTV
  • 1280x720 - 720p HDTV
  • 2560x1024
  • 1600x1200
  • 1400x1050
  • 1280x960
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I got myself some new filters and this was one of the results, i think it came out well. I took this shot just North of Bodega Bay, California at sunset. The foam really caught my eye. With a footprint-free beach it just seemed to all flow together.Canon EOS 40D, EFS 17-85mm, Cokin neutral density filters.

Ce fond d’écran est décrit en Anglais : les artistes écrivent dans leur propre langue, et nous ne traduisons pas leurs mots.

À propos de la photo

Canon EOS 40D, a footprint-free beach it just seemed to all flow together.Canon EOS 40D, EFS 17-85mm, Cokin neutral density filters.

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Commentaires (20)

  1. brizkit

    You guys are nuts. The foam and dreamy blurriness are half the draw here. This image delivers an incredibly cool vibe. Embrace the living sea muck! @Clyde, your question is a bit like asking why musicians bother getting a good live sound when they can just add effects in the studio. Some things can't be faked.

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  2. paul.charles.k

    Sorry about that Clyde. Was running on 1.5 hours of sleep. Circular polarizers are impossible to replicate because you can't possibly reduce reflections on every grain of sand or piece of green foliage. Neutral density filters allow longer shutter speeds than normal so water blurs more which is difficult to reproduce but I suppose not impossible. It's far easier to slap on the filter though.

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  3. Chris Gin

    @Clyde, grad filters can be replicated using other techniques most of the time, but circular polarizers change the way light is hitting the camera so can't be reproduced in software (e.g. how do you cut through glare/reflections in water in Photoshop?). I prefer grad filters over HDR/exposure blending because they allow me to get the shot in-camera (mostly) and minimizes my time post-processing (I'm not all that good with Photoshop!) but there are times when I'll use both. Here are a couple of articles that may help: http://darwinwiggett.wordpress.com/2010/01/30/grads-polarizers-and-nd-filters/ http://singhray.blogspot.com/2010/01/seven-rules-for-effectively-using.html

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  4. Clyde

    @paul.charles.k Easy, tiger. That's why I asked the question. I don't know a great deal about photography yet but I am pretty adept with Photoshop ;) So, why would you think that "you also can't duplicate circular polarizers or graduated neutral density filters." ?

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  5. paul.charles.k

    @Clyde ("why do photographers insist on buying loads of filters to achieve an effect that can be easily accomplished with most photo manipulation software?") He used a neutral density filter--do you even know what you're talking about? They block out light more than normally possible so that it could be a 20 second exposure. You can't recreate the effects of long exposure and you can't set that incamera if you're already at ISO100 and f/16. Furthermore, you also can't duplicate circular polarizers or graduated neutral density filters.

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  6. Joel Antunes

    @ Clyde most photo manipulation software? the idea is to keep pictures looking natural without doing HDR, anyway the can still use the filter and do photo manipulation with 2 shots of the same seen, search on-line you will find loads of stuff, explaining it. -Sean Hanlon i like the image nice colors i would have zoomed in the rock area voiding the cliff on the right, i specially like the rock at the far which looks like a bridge a nice colos image of it would been nice too, Thanks

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  7. psg190

    You've got some great shots on your site. I may even prefer your other photo at this location more than this one. The foam in the bottom right corner of this photo is a little distracting for me . . . probably due to the lack of focus. Promising work though. Please keep the submissions coming.

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