Skip to content
WallpaperLIFT
Powerful Sunrise by MasterChief

Powerful Sunrise, full screen

Powerful Sunrise by MasterChief

  • 2560x1600
  • 2304x1440
  • 2048x1280
  • 1920x1200
  • 1680x1050
  • 1280x800
  • 1152x720
  • 2560x1440
  • 1920x1080 - 1080p HDTV
  • 1280x720 - 720p HDTV
  • 2560x1024
  • 1600x1200
  • 1400x1050
  • 1280x960
  • 1024x768
  • 1280x1024
  • 1024x600
  • 800x480
  • 320x480
  • 320x240
  • 480x272

No match

Powerful Sunrise

By MasterChief

Follow
No downloads
  • 2560x1600
  • 2304x1440
  • 2048x1280
  • 1920x1200
  • 1680x1050
  • 1280x800
  • 1152x720
  • 2560x1440
  • 1920x1080 - 1080p HDTV
  • 1280x720 - 720p HDTV
  • 2560x1024
  • 1600x1200
  • 1400x1050
  • 1280x960
  • 1024x768
  • 1280x1024
  • 1024x600
  • 800x480
  • 320x480
  • 320x240
  • 480x272

No match

This sunrise was so fast that i was only able to take four or five photos with these colors and shapes.

About the photo

Canon EOS 5D Mark II.

More by MasterChief

The Photographer by MasterChief
The Photographer
0
Old Pier by MasterChief
Old Pier
0
Misty Water by MasterChief
Misty Water
0
Blue Ocean by MasterChief
Blue Ocean
0
Salto do Cabrito by MasterChief
Salto do Cabrito
0
Yellow Field by MasterChief
Yellow Field
0
Porto Moniz 89s by MasterChief
Porto Moniz 89s
0
Peaceful by MasterChief
Peaceful
0
Moss Zone by MasterChief
Moss Zone
0
Ponta do Sol Bay by MasterChief
Ponta do Sol Bay
0

Contact the artist

Loading…

Comments (29)

  1. Evil Napkin

    What the heck.. my comment got cut-off... Here's what I wanted to say: If you look off-center to the left, or just below the middle of the mountains. In the water there appears to be like 3-4 lines or something. Are these flat-bed boats or barges? Or is this a distortion or error with the image? I like the colors of this shot but my eyes keep going to this little area because I'm not sure what these lines are.

    Reply

  2. WhiteDog

    I have to agree. The brightness differential between the sky and the foreground doesn't justify a 0.9 ND filter. On the other hand, you could compensate for that choice in post-processing with Adobe Lightroom, for instance, using the Graduated Filter to restore some exposure to the clouds. Assuming you shot the photo in RAW format, there would still be plenty of image data to work with. Indeed, you could avoid use of the filter altogether and make all the appropriate adjustments in Lightroom. Using a filter when taking the picture, particularly of a fast changing subject like this one, where you don't have time to use more than one filter, locks in your choice. If you make the wrong one, you're stuck. Using Lightroom (or Adobe Camera RAW in Photoshop) instead gives you much more flexibility and control. While some may consider post-processing to be heresy, it's just a tool after all. Every aspect of photography involve tools of one kind or another - and human judgment about which tools to use. There's no good reason to consider one tool more authentic or legitimate than any other. In my opinion the final image is what counts, not the process by which you obtained the image.

    Reply

This is for artists

Sign up Log in

From the InterfaceLIFT archive

InterfaceLIFT.com was a wallpaper community, from 2003 to about 2018. When it closed, its wallpapers stayed in the public Internet Archive (opens in a new tab), and this one was preserved from there.

It is credited to its original artist and keeps its original publish date.

Are you the artist or the rights holder, and don’t want it here? Request its removal.

Are you the artist or the rights holder, and don’t want it here? Request its removal.

Sizes