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The Western Divide par John Reed

The Western Divide, en plein écran

The Western Divide par John Reed

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The Western Divide

Par John Reed

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  • 2560x1600
  • 2304x1440
  • 2048x1280
  • 1920x1200
  • 1680x1050
  • 1440x900
  • 1280x800
  • 1152x720
  • 2560x1440
  • 1920x1080 - 1080p HDTV
  • 1280x720 - 720p HDTV
  • 5120x1600
  • 3840x1200
  • 3200x1200
  • 3360x1050
  • 2560x1024
  • 2880x900
  • 1600x1200
  • 1400x1050
  • 1280x960
  • 1024x768
  • 1280x1024
  • 1024x600
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  • 320x480
  • 1024x1024
  • 320x240
  • 480x272

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Taken facing East during sunset from Moro Rock in Sequoia National Park.

Ce fond d’écran est décrit en Anglais : les artistes écrivent dans leur propre langue, et nous ne traduisons pas leurs mots.

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Commentaires (18)

  1. WhiteDog

    Certainly you can face east with the sun setting behind you - and get some beautiful clouds with the setting sun lighting them gloriously. But you wouldn't see the sun, which appears in this particular picture to be causing the burnout on the horizon and backlighting the clouds. If you see the sun on the horizon in the evening, you are facing west to south-west, depending on the time of year. But not east. I didn't elaborate before because I though the issue was obvious, but judging by the negative responses to my comment, apparently it's not. Respecting reeed's efforts to bring out highlight detail, this is easily done in a RAW photo using either the Adobe Camera RAW plug-in in Photoshop CS3 and 4 or with Adobe Lightroom (as well as with other RAW image processing software). If you shoot in JPEG, though, there's not much that can be done. The RAW format has much greater image density than JPEG; highlights in particular have far more detail that can be drawn out with a little post-processing. Shadow detail is also more accessible in a RAW image. Of course, if you're still shooting with film, well, that's another story.

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  2. John Reed

    The blowing out in the sky where it meets the mountains would probably be from the use of high pass filters to try to bring out some detail in the picture. I also used an aggressive warming filter (maybe too much?), accounting for the "chocolate brown void of sky". Thanks for the feedback, objective input always helps to improve.

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  3. AdamP

    I like the wide angle and colors, but the washed out highlights on the horizon are very distracting. Maybe next time try exposing once for the sky, and once for the foreground and then soft-stitching them together later, or you could try a soft edge ND grad filter as well, although getting the edges to not show up on a wide angle lens can be tricky. A little more foreground might have made this picture a little better as well, so the valley at the bottom doesn't get cut off.

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